This is the 15th year of continuous daily publication for 365Caws. All things considered, it's likely it will be the last year as it is becoming increasingly difficult for me to find interesting material. However, I hope that I may have inspired someone to a greater curiosity about the natural world with my natural history posts, or encouraged a novice weaver or needleworker. If so, I've done what I set out to do.
Saturday, January 27, 2018
Tatters And Rust
Day 106: A little visual metaphor for you here, icons of America tattered, torn and rusted out. I can just hear the owner of the truck or his salesman/representative saying, "It runs great!" (gods forbid that I should ever let that word slip from my lips again). Whatever direction I go when I leave home, I see similar testaments to greatness. Some stand in the midst of clearcut, their campaign signs faded by what few glimmers of light pierce the Pacific Northwestern gloom. Others lean against ramshackle outbuildings and piles of trash, proudly proclaiming the lifestyles of the rightist occupants. Greatness shall be delivered unto them! Or so they foolishly believe.
Now that I am on the road to recovery, it occurs to me that I should document the glory of Great America in photographs of heaps of litter, big-ass trucks with plastic testicles hanging from their bumpers, gun-toting Walmart shoppers, vagrants and homeless folk. Who needs wildflowers and clean air when the earth is ours to frack and strip-mine? Who cares what we trample, who we hurt as long as we get more, get it all? I am the singer Crow in Sandburg's poem, crying "Caw, caw" to the rats and lizards. We are the greatest nation that ever ... WAS.
Four Preludes on Playthings of the Wind
~Carl Sandburg
"The past is a bucket of ashes"
1
THE WOMAN named Tomorrow
sits with a hairpin in her teeth
and takes her time
and does her hair the way she wants it
and fastens at last the last braid and coil
and puts the hairpin where it belongs
and turns and drawls: "Well, what of it?
My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
2
The doors were cedar
and the panels strips of gold
and the girls were golden girls
and the panels read and the girls chanted:
We are the greatest city,
The greatest nation:
nothing like us ever was.
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind
where the golden girls ran and the panels read:
We are the greatest city,
the greatest nation,
nothing like us ever was.
3
It has happened before.
Strong men put up a city and got
a nation together,
And paid singers to sing and women
to warble: We are the greatest city,
the greatest nation,
nothing like us ever was.
And while the singers sang
and the strong men listened
and paid the singers well
and felt good about it all,
there were rats and lizards who listened
...and the only listeners left now
...are...the rats...and the lizards.
And there are black crows
crying, "Caw, cas,"
bringing mud and sticks
building a nest
over the words carved
on the doors where the panels were cedar
and the strips on the panels were gold
and the golden girls came singing:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The only singers now are crows crying, "Caw, caw,"
And the sheets of rain whine in the wind and doorways
And the only listeners now are...the rats...and the lizards.
4
The feet of the rats
scribble on the door sills:
the hieroglyphs of the rat footprints
chatter the pedigrees of the rats
and babble of the blood
and gabble of the breed
of the grandfathers and the great-grandfathers
of the rats.
And the wind shifts
and the dust on a door sill shifts
and even the writing of the rat footprints
tells us nothing, nothing at all
about the greatest city, the greatest nation
where the strong men listened
and the women warbled: Nothing like us ever was.
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