Add caption |
The floor loom and the rigid heddle are two entirely different breeds of cat. The floor loom is treadled to form the sheds, whereas with the rigid heddle, the reed must be lifted manually, processes as individual as dancing opposed to lifting weights. In the case of the large frame loom (rigid heddle), I work standing up, as opposed to sitting on a bench when working at the floor loom. The action of passing the shuttle back and forth, although common to both methods, is as incidental as the use of a knife to cut bread or to whittle a stick: same tool, different product. The Tail Project (top) is an active sport. In weaving it, I am standing to manipulate the sheds, stepping from side to side to draw the weft across the work, beating the threads into place with physical exertion. The slub cloth on the floor loom (bottom) becomes a meditation, a repeated sequence of steps, throws and beating done in rhythm.
Should I be so inclined, I could add backstrap, tapestry or card-weaving without breaching the Law of Projects, but there are other fish in the ocean: a quilt to finish, a tablecloth to crochet, spinning to be done. How do people find the time to watch TV or play on their computers when there are so many crafts begging for hands to complete them?
No comments:
Post a Comment