365Caws is now in its 16th year of publication. If I am unable to post daily, I hope readers who love the natural world and fiberarts will seize those days to read the older material. Remember that this has been my journey as well, so you may find errors in my identifications of plants. I have tried to correct them as I discover them. Likewise, I have refined fiberarts techniques and have adjusted recipes, so search by tags to find the most current information. And thank you for following me!
Friday, December 20, 2024
Spinsterhood
Day 69: From the first time I sat down at my great-grandmother's wheel at four years of age, I knew I was destined to be a spinster. It wasn't until I entered my teens that I realized the second meaning of the word was also likely to apply, and of course by then, the first was no longer relevant. My great-grandma was long gone, and my grandmother who had taught me the art was in a rest home and her wheel had been sold. I forgot all about spinning, except to admire the craftspeople who put on demonstrations, but gradually, a desire to take it up was growing in the back of my mind. When I mentioned to my mother that I'd learned to spin from her mother, she told me, "Grandma didn't know how to spin. She can't have taught you," but I remembered clearly Gma turning the crank by hand as I manipulated what little fiber we'd found caught in the carders into a short piece of yarn. When I finally decided to purchase a wheel, my mother went with me, and to her utter amazement, I sat down in the shop and began to spin. "I told you Gma taught me how," I said. "And I haven't forgotten." That wheel (the Louët I bought that day) is now my "ply wheel." I spin singles on a Kromski Minstrel, and when I have two bobbins full, I set them aside to rest for at least 24 hours. This frees up the Minstrel to spin more singles. I cycle through the process, plying a little, spinning a little, and I've been known to run myself short of bobbins when I'm in "production" mode. Here's just a bit of what I've spun over the last six weeks or so. There's more off camera. The two skeins of Green Chaos and two skeins of Salt & Pepper are done. The orange 8-Ball is plied and ready to be stretched on the warping board, as is the huge bobbin loaded with Raspberry Yogurt. The two bobbins of red 8-Ball are ready to be plied, and the "purple" (a blend of red and blue) 8-Ball is a single waiting for its partner to be spun. Stretched on the warping board in the Loom Room, you'd find yellow 8-Ball and the last skein of Salt & Pepper, now waiting to be soaked and weighted to set the twist. Spinsterhood suits me well.
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