Busy Day

Day 326: Yesterday was a busy and very productive day on the fiberarts scene. Not only did I complete the third of the three panels for the summer-and-winter piece, I finished plying a four-ounce skein of yarn. If that doesn't sound like enough, I also devised a method for making tidy selvedges when weaving krokbragd on the frame loom which was a September Morn present-to-self. The system can be adapted to the rigid heddle as well. I don't know why I hadn't thought of it before: simply weave two or more selvedge threads in tabby. D'uh! As for the summer-and-winter, I still have quite a bit of warp left on the loom. I always add extra. There might even be enough for a fourth panel, although I wouldn't want to add it to the coverlet. I will probably use it for a matching pillow. It will be a week or ten days before I'm ready to take this weaving off the loom, but I feel I can rest on my laurels, knowing the coverlet panels are done and, I might add, in record time (August 10-September 3, i.e., 24 days). What's next? I'm considering another coverlet, this time in overshot. We'll see. I have a week or two to think about it.

Bobbin Along

Day 168: Just call me Red, Red Robin 'cuz I'm bob-bob-bobbin along! This week's spinning projects included finishing up a second bobbin (4 ounces) of a Merino wool/bamboo blend and allowing it to rest for a few days alongside a fully loaded companion. A short nap improves its disposition when it's time to ply. Most spinners prefer to let the fibers relax into the twist imparted in spinning for a day or two before plying. Call it "fiber yoga," if you will, for after having bent into contortions, the fiber now needs to maintain its pose to achieve the greatest benefit. In the meantime, I broke out a manual tahkli and a free sample which came with an order of wool top, a luscious moss green blend of Merino and alpaca. The freebie yielded a whole 16 meters of double-ply lace weight yarn, just enough to add a few rows to the top edge of sock cuffs. That said, it's not a fiber I would care to spin on a regular basis, the alpaca having a tendency toward fuzziness like Angora. I sneezed a lot during that spinning session, despite the fact that alpaca fiber is hypoallergenic. With a few days under its belt, the wool/bamboo blend is ready to be plied now, but must wait in line until I am finished with another colourway of the same product currently on the wheel.

Alike But Different

Day 149: As I mentioned yesterday, spinning wool and spinning cotton require two separate skill sets. Both are alike in some regards, but also quite different from each other in the same manner, one might say, as barbering is to dog-trimming. In this case, the overlap is in the fact that fibers are being twisted together to form a cohesive strand of thread/yarn by using a rotating spindle of some sort. That said, the difference lies in the length of the fiber being spun. If "wool" is defined as coming from sheep (as opposed to rabbits, goats, etc.), almost any type is considered "long staple," i.e., having individual fibers an inch or more in length. On the other hand, cotton has a "short staple." Its individual fibers are roughly half an inch long. This means that more twist has to be imparted to a cotton thread than to a wool thread or it will come apart. Cotton is spun with a great number of revolutions of the spindle on which it is wound, even when the resultant thread is the same diameter as one spun in wool. In comparison, the wool fibers in that lovely multi-coloured top are about five inches long. Now you might suppose that it would take longer to spin 50 yards of cotton thread than it would for wool, but in fact because the spindle (tahkli) rotates so much faster, the time is fairly close to being the same.

Two-Ply Corriedale Cross

Day 15: If you were to look around my living space, you'd see multiple projects of various types in different stages of completion. I like to have a variety of crafts going at once because (as I so often say aloud, sometimes in frustration at myself), I have the attention span of a gerbil. A week or two ago, I caught the spinning wheel glaring at me for having ignored it for an unreasonable period of time. I consoled it by completing the two-ply skein of grey yak hair it was holding, and then promptly began a new project of creamy white Corriedale cross wool. One four-ounce skein is finished except for washing and stretching, and the first ply of another is currently in the works. Underneath it, you can see a quilt in progress. It's taking far less long than I expected and I'm only a few weeks away from having it finished, but another quilt has supplanted it and must be completed first.

There are three of us, sisters-of-the-heart for lo, these many years. One lives in New Hampshire, one in New York, and then there's me, out here in the Pacific Northwe't. We haven't all been together for a decade or more, but our multiple daily emails are always shared. Very recently, the New York member of the contingent asked if I would be willing to do a huge favour for her: make a quilt using a top her grandmother had sewn by hand. I was inspired by the "heirloom" aspect of the project and agreed, somewhat along the principle of buying a pig in a poke. I had no idea what I was letting myself in for. Alison understood that, and assured me that I could back out of the commitment if I so desired once I'd seen the quilt. It came in the mail ten days ago. I gave it a preliminary assessment, hatched a few ideas, ran them by Alison and we came up with a Plan. But, as plans of mice and men are wont to do (or I should say "of a Mouse and a needlewoman"), it went a-gley. There were problems with grandma's spacing (four inches between some appliqued plates and seven between others), and my designs just weren't working. I gave the project a serious chunk of think, and proposed a daring idea to my heart's dear sister. I would cut up grandma's quilt and reassemble it with coloured strips in between and a wide border to bring it up to king-size.

Needless to say, this has become a much larger project than initially anticipated, but with Mouse's approval, I went to town today and bought the additional fabric. I also bought some more Corriedale wool because I'm going to need a lot of breaks over the next two or more years.