This is the 15th year of continuous daily publication for 365Caws. All things considered, it's likely it will be the last year as it is becoming increasingly difficult for me to find interesting material. However, I hope that I may have inspired someone to a greater curiosity about the natural world with my natural history posts, or encouraged a novice weaver or needleworker. If so, I've done what I set out to do.
Thursday, January 31, 2013
Bead-Dazzled
Wednesday, January 30, 2013
Comfort Zone
Should Have Done This Years Ago
Tuesday, January 29, 2013
Winter Residents
Here in my personal bird "sanctuary," Towhees are more numerous in wintertime, feeding alongside Dark-Eyed Juncoes. They love to hide in the contorted filbert, safe from larger predatorial birds in the tangle of its branches.
Monday, January 28, 2013
Birdproof Stitch
Enter a knitting project. I wanted a warm winter sweater, so dragged out Mon Tricot to select a stitch, and then worked up a raglan pattern with knit-in sleeves. Only after the sweater was done did I discover that the texture baffled bird-bites when Carlo thought he had a mouthful of Mama-meat but only had his beak full of yarn. Bicolor bee stitch became known as "birdproof stitch," and over the years, I wore out half a dozen "birdproof sweaters."
Birdproof stitch is made entirely of knit rows which makes it fairly quick to work despite the fact that you only gain the length of three rows for every four. The first and third rows are straight knit over an even number of stitches. Row two is made with a repeat of *k1, k1 in the stitch below,* end k2. Row four begins with k2, then *k1 in the stitch below, k1* to the end. The pattern lends itself well to using up tag ends of yarn as rows 3 and 4. The main color is carried on rows 1 and 2. It also makes a lovely sweater worked in two shades of the same color. Many variations are possible, but I like mine loud and tropical...as a reminder of Carlo, who really was a sweet little guy when the two of us were home alone together.
Sunday, January 27, 2013
Fish Out Of Water
I wanted to find a way to present them so that they looked like they were in a watery environment, so spread a sheet of blue cellophane over a piece of white cardstock and arranged the Hoya bella so that its tendrils hung down behind the subjects. The setting looked exactly like a houseplant behind a couple of wooden fish, not at all what I wanted. Then it occurred to me to put the cellophane OVER the plant which created a more "watery" look. A little sand for a sea floor, and my little carp were swimming happily along as fish out of water.
Saturday, January 26, 2013
Old Friends Who've Just Met
That said, every time we seemed to be on the verge of connecting, either scheduling wouldn't work, his plans would fall through or my weather would pin me down. So near and yet so far away, he visited another friend on Whidbey Island, but I was unable to free up time to join the gathering. We've been trying to get this together for several weeks now, but again, changes in John's travel plans made it look impossible.
When I turned on the computer this morning, I had no idea I'd be driving to Seattle today, but a flurry of emails sped through the ether as we tried to arrange a place to meet with neither of us knowledgeable about the city. John was going to be strictly afoot because his Canadian credit card wouldn't work to rent a car. In a last-ditch measure, I picked a street corner near his hotel and said, "Meet me there!" and out the door I went at high speed. I hadn't been there five minutes when he knocked on the car window.
The two of us went out to lunch and then spent the afternoon prowling the Museum of Flight, both of us intrigued by displays of engines and flying machines from bygone days. For a few hours, we joked and teased just as we do in emails daily, old friends who'd just met for the very first time.
Friday, January 25, 2013
Haggis And Neeps
Spicier than I expected, the Haggis was light and airy and deliciously fragrant with sage. Red pepper gave it a bit of tang, though not to overpower the delicate savour of lamb, the lamb tempered with just a bit of beef. Simmered in beef broth, the glorious Haggis cooked gently for two hours before I tossed in a handful of cubed neeps, tatties not being to my liking. Another twenty minutes had them fork-tender and ready to serve.
The aromas filling the house had left my stomach growling. It was a hard task to set up this shot with dinner on the boards! I had intended to spread this meal out over three nights, but I found myself gobbling down half at one sitting, so delicious was this unique traditional Scottish delicacy.
Life Is Too Short Not To Try New Foods
Thursday, January 24, 2013
Upgrade This!
The next thing we discovered was that categories such as "position description" had disappeared entirely. Data fields had to be recreated from scratch in the new SharePoint. Then there were issues with missing hours, whole missing years, evaporating categories which resisted reinstallation, and so on. Each day brought a new set of challenges, and the regular work was backing up. One thing after another had to be readjusted, reinvented, realigned. The air was getting a little blue in the office as both Kevin and I exhausted our vocabularies and threatened to pitch the computers out through the second-story windows and into the snow.
Little by little, tweak by tweak, Kevin and IT worked at whipping the system into shape, but broken bits kept cropping up here and there. Much to our dismay, we discovered that the electronic copies of applications we'd attached to potential volunteers' files had gone missing. Resorting to backup files from the old system and from other sources, my task for the last few weeks has been figuring out what needed to be reattached and where to find it. Today, I buttoned up the last of them; done, complete, finito.
Kevin still has a list of tweaks to make, but I'm caught up on new applications and recording hours. The next time somebody says "upgrade" to me, I'm going to upgrade them right between the eyes.
Wednesday, January 23, 2013
Eating Condition
Shortly thereafter, I discovered that furnaces are fickle beasts. They consume vast quantities of fuel. They require cossetting and cajoling. They like annual medical checkups and they don't carry insurance to cover them. In short, I decided that "central heating" was the devil's own invention, but I was stuck with it.
Today when I had to have the sucker-upper truck out to clear the chimney of a major obstruction, I had to laugh at the alteration the repairman had made to the imprinted "heating - air conditioning" sign on the side. It seems to fit this furnace's gluttony for oil and dollars.
Oh, for the days of a freestanding stove, the kind you lit with a match tossed into the fire box! I don't think they even make them nowadays.
Call A Doctor Quickly!
Tuesday, January 22, 2013
Size Matters
Monday, January 21, 2013
Still Life
Sunday, January 20, 2013
Dark-Eyed Junco, Junco Hyemalis Female
Saturday, January 19, 2013
Site Steward
There was some discussion of a new docent program which is anticipated to open in 2014, a project which interests me keenly. The duties of a docent would include leading nature and photo walks, birdwatching trips and discussions of the area's history. I'm looking forward to becoming more involved with the group in this regard.
Friday, January 18, 2013
Lapis Lazuli, Sky In A Rock
The stone in the pendant measures 20 x 30 mm. I have a small bag of raw pieces, but I gave up lapidary work over forty years ago and sold off all my equipment. I couldn't bear to part with the rocks, though, and still have several boxes of assorted slab material as well as other chunk rough. Collecting rocks is more fun than wearing them in my book!
Thursday, January 17, 2013
Memories Of Marmot Skull Gap
On one of these many treks, I was working my way toward a summit and found my way impeded by dense juniper and cedar. It took a bit of scouting, but eventually I found a way through the maze and in the process, discovered the skull of a Hoary Marmot. I did not pick it up, thinking I'd collect it when I came down from my goal, but I got distracted by some other vista and returned via a different path. It was not until I was back in camp that I remembered it, and since I was not going that way again, I wrote it off.
The following year, I returned to the same area and again climbed the same peak, passing through the gap in the brush as I did so, but I failed to find the skull even though I searched. Nevertheless, since the passage through the scrub had not closed in, I dubbed the spot Marmot Skull Gap.
Over several more annual trips, I searched again for the skull and failed to find it. Then one September as I passed through the Gap, a bright white object caught my eye, exposed where I could not have missed it. I am guessing that some critter had carted it off to a den and some other critter had then removed it, but in any event, one jaw was there at my feet. I figured I might be able to find another piece if I searched carefully, and by the time I was done, I had three of the four jaws and all four long front teeth.
Marmot Skull Gap is beyond my physical reach at this point in my life, too many miles and too many days into the interior for me to tackle. I still enjoy map-and-compass day trips, though, and I have these physical reminders of a place I see as clearly in my mind's eye as if I were standing among its tangled branches at this very moment.
Wednesday, January 16, 2013
Legal Interpretation
On the other hand, cats ARE allowed on soft furniture. They can sit in any chair, sleep on the bed, share my pillow, or sit on the covered lid of the toilet while watching me bathe. Soft, good; hard, bad. That's easy.
Since my bobbin lace bolster is quite heavy and cumbersome to use when I'm seated in an arm chair, I like to put it on an end table which I can draw up with one leaf extending over my knees. In order to tilt the bolster toward me, I set it on a rolled-up microfiber blanket and pull it forward so it rests at a slight angle. The blanket keeps it from slipping off the table as well. When I am done with a session, I put the bolster on top of the harpsichord and tuck the table underneath. Today, I neglected that last step before I went to town.
In Miss Skunk's eyes, that blanket-covered table fell under the definition of "soft furniture," and you have to admit, her logic couldn't be faulted. She's accustomed to using the blanket or one like it as a bed. Obviously, I had put it in a new location specifically for her to try out. Any argument I could have presented would have been thrown out as invalid, so I just grabbed the camera, inextricably bound to honor the set of rules I'd laid down.
Tuesday, January 15, 2013
Minerals Azurite, Pyrite And Stibnite
Day 105: My mineral collection has been confined to boxes in the garage for the last twenty years or more, the occasional specimen only rarely being brought out of storage for a photo shoot or some other short-term project. I simply don't have space to display rocks, nor the patience to keep them dusted. Unfortunately, many of the labels have fallen off individual boxes and my memory is somewhat vague when it comes to the more obscure examples, so today I pulled out a sampling easy to identify.
The blue crystals are azurite, a relatively soft carbonate (hardness 3.5-4.0) found in Arizona and Mexico as well as other sites around the world. Its color comes from copper.
Pyrite (a sulfide) is also known as "fool's gold," although any fool knows that gold does not occur as cubic or octahedral crystals. It is often found in hydrothermal deposits. It has a hardness of 6.0-6.5.
Stibnite is another sulfide. Its primary component is the element tin. It is quite soft (hardness 2.0) and its long, slender crystals have a beautiful silvery sheen.
The blue crystals are azurite, a relatively soft carbonate (hardness 3.5-4.0) found in Arizona and Mexico as well as other sites around the world. Its color comes from copper.
Pyrite (a sulfide) is also known as "fool's gold," although any fool knows that gold does not occur as cubic or octahedral crystals. It is often found in hydrothermal deposits. It has a hardness of 6.0-6.5.
Stibnite is another sulfide. Its primary component is the element tin. It is quite soft (hardness 2.0) and its long, slender crystals have a beautiful silvery sheen.
Monday, January 14, 2013
Conference Room Curtains
Day 104: The curtains are beginning to close over the windows of our second-storey offices at Longmire, their beautiful draperies reaching ever downward as daytime temperatures allow for only minor melting. We keep the ones above the visitors' entrance knocked down lest one fall on a passerby, but the ones on the rear of the building and outside the conference room where people on the ground are protected by a roof are being allowed to grow and die as they will. The roof itself is burdened with several feet of snow now, and in the "warm zone" close to the heated building, the remains of arm-thick icicles are scattered in chunks up to two feet long.
While visitors played in the snowy "yard," I chuckled at the comments borne upward on the cold, crisp air. "Wow! Look at those icicles!" "Don't get too close, honey. You don't want one to fall on you." Adults and children alike love these magnificent spectacles of winter, as do we who sit inside watching their fingers stretch down, seeking the snowy field below.
While visitors played in the snowy "yard," I chuckled at the comments borne upward on the cold, crisp air. "Wow! Look at those icicles!" "Don't get too close, honey. You don't want one to fall on you." Adults and children alike love these magnificent spectacles of winter, as do we who sit inside watching their fingers stretch down, seeking the snowy field below.
Sunday, January 13, 2013
Fish Tales
Day 103: There was a time when my fishing buddy and I inventoried the waters at least once each week every week of the year. Whether we were pulling put-and-take trout out of Mineral Lake, netting smelt in the Cowlitz, dragging silvers up through 80 feet of free air at Riffe fishing bridge, wrestling with king and coho salmon in the Tilton River or casting mud shrimp up against an ocean jetty hoping for surf perch or cabezon, we purposed to catch fish and did so most successfully. However, Sande had one great weakness in his piscatorial skills, and that was that his reflexes were not quite fast enough to set the hook reliably in the mouth of a salmon. He missed more than he caught, much to his frustration as I stood beside him pulling them in one after another. I coached him repeatedly, not realizing then that the problem was deeper than age. He was in the first phases of Parkinson's disease and his motor control was diminishing.
On one particular morning, my phone rang and I was surprised to hear him open the conversation with the statement that he had gone fishing without me on the Puyallup. Referring to one of our favorite spots, he said, "You know the blue building? I went down there. And you know what? I caught a nice big salmon!"
I wasn't sure which part of that statement shocked me the most, that he'd gone fishing without me or that he'd hooked and landed a salmon unaided. Since the latter wasn't a total impossibility, I began asking stupid questions as I tried to absorb the information. "You went fishing without me? All by yourself?" Already I was making plans to show up on his doorstep the following morning.
"And guess what else?" he continued. "I waded out..."
"You waded out?" I interrupted. "You? In the Puyallup? On those slippery rocks?" He never liked to wade. This was unthinkable!
He continued his narrative over the top of my blithering. "I waded out right where that one big branch sticks out, and in about five minutes, I got another bite." A significant pause ensued, during which I made assorted incomprehensible choking sounds and just as I was getting my breath, he added, "...and I caught another nice fish."
This was more than I could bear. "TWO??? You caught TWO SALMON??? Without ME?" I was horrified, aghast, shocked to the very core of my being. I couldn't wrap my head around the fact that he hadn't even invited me along! He hadn't even told me he was going!
Then, much to my increasing consternation, he added the final insult, "And then I said to myself, 'What do I need HER for?'" It was playfully put, but the truth of it wounded me deeply. He really didn't need me there to offer my usual commentary on where to cast, how long to let the bait sink, how to govern its bounce along the rocks on the river bottom without getting snagged up. Visions of being outfished began running through my head. He'd never caught as many salmon as I reeled in during the season.
At this point, I was reduced to sputtering the same phrases repeatedly. "You went without me and you caught two fish?" I was still jabbering when he added quietly,
"And then I woke up."
A full thirty seconds elapsed before the revelation soaked in. Sande is a Norwegian. He is a consummate storyteller and can keep his face so straight even after he's delivered the punchline that sometimes it's two weeks before you realize you've been had. When it finally hit me that he'd been relating a dream, I howled with laughter. Oh, he'd suckered me in on that one beautifully! He didn't need to catch fish. He'd caught a fisherman!
These days, we only fish together a couple of times each year. He has trouble walking and controlling the trembling in his hands. But when we get together as we did for today's football game, we talk about the good times and the adventures, and remember all the big ones that didn't get away. There were a lot of those.
On one particular morning, my phone rang and I was surprised to hear him open the conversation with the statement that he had gone fishing without me on the Puyallup. Referring to one of our favorite spots, he said, "You know the blue building? I went down there. And you know what? I caught a nice big salmon!"
I wasn't sure which part of that statement shocked me the most, that he'd gone fishing without me or that he'd hooked and landed a salmon unaided. Since the latter wasn't a total impossibility, I began asking stupid questions as I tried to absorb the information. "You went fishing without me? All by yourself?" Already I was making plans to show up on his doorstep the following morning.
"And guess what else?" he continued. "I waded out..."
"You waded out?" I interrupted. "You? In the Puyallup? On those slippery rocks?" He never liked to wade. This was unthinkable!
He continued his narrative over the top of my blithering. "I waded out right where that one big branch sticks out, and in about five minutes, I got another bite." A significant pause ensued, during which I made assorted incomprehensible choking sounds and just as I was getting my breath, he added, "...and I caught another nice fish."
This was more than I could bear. "TWO??? You caught TWO SALMON??? Without ME?" I was horrified, aghast, shocked to the very core of my being. I couldn't wrap my head around the fact that he hadn't even invited me along! He hadn't even told me he was going!
Then, much to my increasing consternation, he added the final insult, "And then I said to myself, 'What do I need HER for?'" It was playfully put, but the truth of it wounded me deeply. He really didn't need me there to offer my usual commentary on where to cast, how long to let the bait sink, how to govern its bounce along the rocks on the river bottom without getting snagged up. Visions of being outfished began running through my head. He'd never caught as many salmon as I reeled in during the season.
At this point, I was reduced to sputtering the same phrases repeatedly. "You went without me and you caught two fish?" I was still jabbering when he added quietly,
"And then I woke up."
A full thirty seconds elapsed before the revelation soaked in. Sande is a Norwegian. He is a consummate storyteller and can keep his face so straight even after he's delivered the punchline that sometimes it's two weeks before you realize you've been had. When it finally hit me that he'd been relating a dream, I howled with laughter. Oh, he'd suckered me in on that one beautifully! He didn't need to catch fish. He'd caught a fisherman!
These days, we only fish together a couple of times each year. He has trouble walking and controlling the trembling in his hands. But when we get together as we did for today's football game, we talk about the good times and the adventures, and remember all the big ones that didn't get away. There were a lot of those.
Saturday, January 12, 2013
My Pal Spoolie
Day 102: Meet Spoolie, one of my best childhood friends. He was made for me by my mother when I was about seven and has managed to survive countless moves, being in storage, and other forms of inadvertent abuse. He had a hair transplant and a facelift about thirty-five years ago because his smile was faded and he suffered dreadfully from split ends, but at the core of it, he's the same fellow I loved more than any of my other playmate dolls. He's been on bike rides and backyard campouts. He's gone rock collecting and berry-picking. He's kept me company on many a cold winter night when I was snugged up under the covers reading a book. Who could resist that irrepressible grin?
Spoolie's life and spirit are in his assembly, the warm feel and color of the wood animating him with its magic. They don't wind thread onto wooden spools these days, and more's the pity. Plastic spools simply wouldn't do for a creation like my pal.
Friday, January 11, 2013
Lace
Day 101: Given that I had just shipped off two of my last three bobbin lace bookmarks recently, I decided it was time to make more. I try to keep several on hand for get-well wishes, weddings, condolences and the like, and generally work them up in batches of two per color, using sewing thread for the body of the lace and perle cotton for the gimp along the border. Although sewing thread is considered a heavyweight material for this type of lace-making, the finer threads are generally only available in white and cream.
The card beneath the lace is called a pricking. It shows where each element of the design is to be placed, and is perforated before mounting on the bolster so that pins may be inserted to stabilize the lace during construction. Sometimes a pricking allows for a variation of motifs. The pins used in bobbin lace are finer and shorter than standard sewing pins. As threads are crossed or twisted (passed over an adjacent thread from left to right, or from right to left), a pin is put into place at the junction of the threads and then "closed" with a similar action of the threads. Additional twists may be added to make a more rigid lace. Bobbins are generally worked in pairs and are often weighted with beads at the end of each bobbin shank which not only prevent them from rolling around on the bolster but also help the lacemaker to identify their position. When you have several dozen bobbins in play, it's easy to lose track!
These little bookmarks take about an hour and a half to complete. They require 14 pair of bobbins, two pair carrying the gimp threads and twelve for the working threads. I've completed one since loading the bolster yesterday, and have just begun the one shown here.
The card beneath the lace is called a pricking. It shows where each element of the design is to be placed, and is perforated before mounting on the bolster so that pins may be inserted to stabilize the lace during construction. Sometimes a pricking allows for a variation of motifs. The pins used in bobbin lace are finer and shorter than standard sewing pins. As threads are crossed or twisted (passed over an adjacent thread from left to right, or from right to left), a pin is put into place at the junction of the threads and then "closed" with a similar action of the threads. Additional twists may be added to make a more rigid lace. Bobbins are generally worked in pairs and are often weighted with beads at the end of each bobbin shank which not only prevent them from rolling around on the bolster but also help the lacemaker to identify their position. When you have several dozen bobbins in play, it's easy to lose track!
These little bookmarks take about an hour and a half to complete. They require 14 pair of bobbins, two pair carrying the gimp threads and twelve for the working threads. I've completed one since loading the bolster yesterday, and have just begun the one shown here.
Thursday, January 10, 2013
Today's Mail
Day 100: I had been alerted to the fact that I had a package containing small parts headed my way from Canada, but I was not expecting it to arrive for a few more days. When I discovered it in my mailbox today, I took it, per instructions, to a spot where I could open it without fear of cats making off with tiny things. As it turned out, the items were safely contained, and oh, what wonderful gifts!
My Canadian friend's woodworking skills are legend. I already had two beautiful pens she had given me, but this ebony fountain pen has already achieved "favorite" status. There is nothing quite like the feel of writing with a fountain pen, even if your penmanship is as dreadful as mine. I suspect it will inspire a Morgan Corbye story or two as it glides across paper.
The lace-making bobbins could not have been more timely. I just started a bobbin-lace project this morning. The narrow shafts of these will allow them to be clustered on the bolster much more easily than the "fat-handled" batch I'm currently using. Thank you, Di!
My Canadian friend's woodworking skills are legend. I already had two beautiful pens she had given me, but this ebony fountain pen has already achieved "favorite" status. There is nothing quite like the feel of writing with a fountain pen, even if your penmanship is as dreadful as mine. I suspect it will inspire a Morgan Corbye story or two as it glides across paper.
The lace-making bobbins could not have been more timely. I just started a bobbin-lace project this morning. The narrow shafts of these will allow them to be clustered on the bolster much more easily than the "fat-handled" batch I'm currently using. Thank you, Di!
Wednesday, January 9, 2013
Arts Of Bygone Days
Day 99: Most of my needleart skills were learned at my grandmother's knee, and an exacting teacher she was! When I was a child not yet in kindergarten, she had me embroidering pillowcases and handkerchiefs with the stricture "across four threads and back two" governing the length of each stem stitch. I credit her with also educating me in the fine art of patience, something she readily owned to doing. As a young woman, I found employment as an art-needlework consultant, and it was in that shop that I learned one art my grandmother didn't know: tatting. Some time later, I discovered bobbin lace and added that to my repertoire.
At one time, I entertained the idea of opening a small school for students of stitchery, thinking I might call it "Arts of Bygone Days." It never came to pass, and I have contented myself with giving the occasional class in one or another of these crafts.
Top left: bobbin lace employs threads generally much thinner than sewing thread wound on wooden bobbins in pairs. The hexagonal dainty measures approximately three inches from tip to tip, and was made using size 120 cream thread. It required 22 working pairs of bobbins and two pair of gimp bobbins. Thanks to this photo session, I finally got around to putting a linen center in it!
Top right: tatting is worked with a shuttle or shuttle-and-ball, and most commonly utilizes #70 tatting cotton or fine (#30) crochet cotton. It is comprised of rings and chains ornamented with picots (loops of a single thread). It's a wonderful "pocket hobby" since the work can be easily stuffed in a small bag for transport.
Bottom left: most people are familiar with crocheting, and there are many different styles within the art. Filet crochet is made in blocks of double-crochet stitch for a very solid look, and Irish crochet is characterized by its abundance of picots. I prefer working with #30 or #50 cotton and hooks in sizes 10-14.
Bottom right: knitting is worked with two or more needles (socks, gloves and mittens generally take four). The finer sizes (0 and smaller) are referred to as "knitting pins," and are used to make delicate lace. Pins come in sets of five to allow doilies to be divided into working quarters.
My grandma was a great one for never allowing her hands or mine to be idle!
At one time, I entertained the idea of opening a small school for students of stitchery, thinking I might call it "Arts of Bygone Days." It never came to pass, and I have contented myself with giving the occasional class in one or another of these crafts.
Top left: bobbin lace employs threads generally much thinner than sewing thread wound on wooden bobbins in pairs. The hexagonal dainty measures approximately three inches from tip to tip, and was made using size 120 cream thread. It required 22 working pairs of bobbins and two pair of gimp bobbins. Thanks to this photo session, I finally got around to putting a linen center in it!
Top right: tatting is worked with a shuttle or shuttle-and-ball, and most commonly utilizes #70 tatting cotton or fine (#30) crochet cotton. It is comprised of rings and chains ornamented with picots (loops of a single thread). It's a wonderful "pocket hobby" since the work can be easily stuffed in a small bag for transport.
Bottom left: most people are familiar with crocheting, and there are many different styles within the art. Filet crochet is made in blocks of double-crochet stitch for a very solid look, and Irish crochet is characterized by its abundance of picots. I prefer working with #30 or #50 cotton and hooks in sizes 10-14.
Bottom right: knitting is worked with two or more needles (socks, gloves and mittens generally take four). The finer sizes (0 and smaller) are referred to as "knitting pins," and are used to make delicate lace. Pins come in sets of five to allow doilies to be divided into working quarters.
My grandma was a great one for never allowing her hands or mine to be idle!
Tuesday, January 8, 2013
Notions
Day 98: My hands are so small that it is very difficult to find a thimble to fit, and although I generally prefer to hand-stitch while wearing a leather one (even harder to find in my size), I keep a couple of metal ones handy. It takes a bit of practice to learn to use a thimble. In fact, most peoples' tendency is to hold the finger wearing the thimble out of the way at first, but once you have mastered the art of using one, you'll never have to worry about driving the eye of the needle into your hand. The point is another matter, and many's the time I've sewn myself to a piece of fabric by picking up a thin layer of skin, only to discover that I can't lay the fabric aside when I want to get up and go for a cup of coffee.
Every person who stitches by hand should keep a supply of various sizes and styles of needle in their sewing kit. Once again, it will take some practice to learn to use a curved needle, but this tool is particularly useful when stitching seams in heavy materials such as canvas. Likewise, a three-sided sailmaker's needle will pierce leather when a standard needle would bind.
I have a notion that your sewing tasks will be much easier if you use the proper tool for the job!
Every person who stitches by hand should keep a supply of various sizes and styles of needle in their sewing kit. Once again, it will take some practice to learn to use a curved needle, but this tool is particularly useful when stitching seams in heavy materials such as canvas. Likewise, a three-sided sailmaker's needle will pierce leather when a standard needle would bind.
I have a notion that your sewing tasks will be much easier if you use the proper tool for the job!
Monday, January 7, 2013
Really, Really Peeved
Day 97: Don't pi** off black birds. They may blow up or go to pieces.
These little Angry Birds are erasers which double as puzzles, and while I'd never dream of using one to "cancel half a line," I did take one of them apart. The tiny, rubbery pieces aren't truly interlocking, so it was an exercise in patience to get the Bird reassembled. Not gonna do that again!
A sucker for the Angry Birds games, I still have yet to purchase the Star Wars version, although I played a few levels on a friend's iPhone. What the heck, it's something to do in between chapters of "Barnaby Rudge."
These little Angry Birds are erasers which double as puzzles, and while I'd never dream of using one to "cancel half a line," I did take one of them apart. The tiny, rubbery pieces aren't truly interlocking, so it was an exercise in patience to get the Bird reassembled. Not gonna do that again!
A sucker for the Angry Birds games, I still have yet to purchase the Star Wars version, although I played a few levels on a friend's iPhone. What the heck, it's something to do in between chapters of "Barnaby Rudge."
Sunday, January 6, 2013
Topsy-Turvy
Day 96: Cabin fever is setting in. I am getting tired of photographing "objects" and want to get out in the field to look for interesting stuff. I want birds and wildflowers and lichens and landscapes! Let me get out of the house, please!
Well, it's winter. What can I say? There just aren't any wildflowers, the landscapes of the Pacific Northwest could be shot in color and you'd never know they weren't monochromes, most of the lichens are under snow and the five or six species of birds which are now coming to my feeders have been photographed more times than I can count. However, as I was returning from the obligatory morning cloud shoot, I saw potential in a Douglas Fir cone. I picked it up and had gone no more than a dozen feet farther before deciding it would probably be a dumb thing to photograph and I was just on the edge of tossing it away when the reflection of its parent tree on the hood of the car caught my eye. An idea started to form.
It wasn't easy to position the camera so that the roof of the carport didn't get into the frame and I had to use my elbows for a tripod, but I got the "floating cone" effect I wanted. Now, please bring me some sign of spring before I climb the walls!
Well, it's winter. What can I say? There just aren't any wildflowers, the landscapes of the Pacific Northwest could be shot in color and you'd never know they weren't monochromes, most of the lichens are under snow and the five or six species of birds which are now coming to my feeders have been photographed more times than I can count. However, as I was returning from the obligatory morning cloud shoot, I saw potential in a Douglas Fir cone. I picked it up and had gone no more than a dozen feet farther before deciding it would probably be a dumb thing to photograph and I was just on the edge of tossing it away when the reflection of its parent tree on the hood of the car caught my eye. An idea started to form.
It wasn't easy to position the camera so that the roof of the carport didn't get into the frame and I had to use my elbows for a tripod, but I got the "floating cone" effect I wanted. Now, please bring me some sign of spring before I climb the walls!
Saturday, January 5, 2013
Porcelain Petals
Day 95: The porcelain petals of the roses ornamenting this tiny container are only barely more than paper-thin, so delicate and dainty that I keep it safely behind glass. It was a gift from a friend who purchased it in England. I love the intensity of color in the flowers, contrasted so beautifully against the creamy white. The interior cavity is only an inch in diameter, and although I don't keep jewelry in it, it would be perfect for a small item like the pinky ring I've chosen to display beside it.
The ring is equally dainty. The stone is a sapphire which my father brought back from India at the end of WW II. My late husband faceted it from the rough and set the finished stone in 14 karat white gold.
The ring is equally dainty. The stone is a sapphire which my father brought back from India at the end of WW II. My late husband faceted it from the rough and set the finished stone in 14 karat white gold.
Friday, January 4, 2013
Hard Water
Day 94: I returned to work today after two weeks off, and discovered that winter had settled on Longmire with a vengeance. The parking area which had only been lightly dusted with snow before Christmas was a solid sheet of ice and the ground was covered with approximately two feet of white cold. I went out walking during lunch, Yak Trax on my boots not entirely adequate to keep me from slipping and sliding, although I made it as far as the Community Building on the far side of the river and back without incident. I took the obligatory snow photos because who can resist a winter wonderland? But what really intrigued me was the moss encapsulated by ice just outside the back door of the Administration Building.
Getting a shot was tricky. The nodules were forming even as I tried to focus, drips from the eave above spattering as they hit the rounded surfaces. I'd get the lens close and...splat! I'd have to wipe it dry again. But persistence paid off and I was glad to go indoors again to reheat my chill-reddened hands. It's hard to run camera buttons with mittens on!
Getting a shot was tricky. The nodules were forming even as I tried to focus, drips from the eave above spattering as they hit the rounded surfaces. I'd get the lens close and...splat! I'd have to wipe it dry again. But persistence paid off and I was glad to go indoors again to reheat my chill-reddened hands. It's hard to run camera buttons with mittens on!
Thursday, January 3, 2013
Enhydros Amethyst And Watermelon Tourmaline
Day 93: Back in the days when I was rockhounding, I had quite an extensive array of thumbnail and small mineral specimens on display in a cabinet. When I moved here over twenty years ago, I boxed them up and put them away "for keeps" in the garage. A few times each year, I find a reason to pull down the boxes, looking for some specific rock for some project or another, and occasionally, I can't bear to tuck a favorite out of sight again.
A few days ago, I discovered a tiny white plastic box in the back of my desk drawer while I was looking for the stapler. "Oh!" I said to self, "Is that where I put the watermelon tourmaline? That'd make a good macro subject!" But it seemed lonely all by itself, so I decided to include the amethyst.
Both of these crystals are unusual, although not expressly rare. Tourmaline crystals are long and thin, and have a crystal lattice which causes them to appear darker or lighter depending on the angle of view. The watermelon effect is only seen in cross-section, but if you were to view a full-length crystal from the outside, it would appear almost black. The green only becomes apparent when it is cut and viewed at 90° to the plane.
The amethyst is exceptional in that it is an enhydros, i.e., it contains small bubbles of water inside it, each with an even tinier air bubble floating along like the bubble in a carpenter's level. The water was trapped inside as the molten quartz cooled.
Although both of these specimens are small (the amethyst is about an inch long), they represent two of the oddest geologic novelties in my collection. They're not going out to the garage!
A few days ago, I discovered a tiny white plastic box in the back of my desk drawer while I was looking for the stapler. "Oh!" I said to self, "Is that where I put the watermelon tourmaline? That'd make a good macro subject!" But it seemed lonely all by itself, so I decided to include the amethyst.
Both of these crystals are unusual, although not expressly rare. Tourmaline crystals are long and thin, and have a crystal lattice which causes them to appear darker or lighter depending on the angle of view. The watermelon effect is only seen in cross-section, but if you were to view a full-length crystal from the outside, it would appear almost black. The green only becomes apparent when it is cut and viewed at 90° to the plane.
The amethyst is exceptional in that it is an enhydros, i.e., it contains small bubbles of water inside it, each with an even tinier air bubble floating along like the bubble in a carpenter's level. The water was trapped inside as the molten quartz cooled.
Although both of these specimens are small (the amethyst is about an inch long), they represent two of the oddest geologic novelties in my collection. They're not going out to the garage!
Wednesday, January 2, 2013
Tasteful
Day 92: As part of my New Year's celebration, I bought a jar of "inexpensive" caviar, a product I've had on several previous occasions and always enjoyed. Oh, it's salty, to be sure, and perhaps the pricier versions are less so, but since I have never tried them, I have nothing to compare. Served atop plain crackers and a smear of cream cheese garnished with green onions, a little roe goes a long way.
This particular brand comes from the inelegantly named lumpfish. The individual grains are pleasingly firm and flavourful. Sturgeon be hanged, I've made my own from shad roe which, admittedly, goes better as a sandwich spread than a savoury treat.
This particular brand comes from the inelegantly named lumpfish. The individual grains are pleasingly firm and flavourful. Sturgeon be hanged, I've made my own from shad roe which, admittedly, goes better as a sandwich spread than a savoury treat.
Tuesday, January 1, 2013
Swirly Things
Day 91: My two "sisters of the heart" managed a meet-up last fall in Portsmouth NH and went on a shopping trip, thinking of gifts for Christmas and other occasions. They stopped at a store which sold marbles on a "you-pick-'em" basis (individually) and shared a chuckle over "great minds think alike" as each of them selected ones they knew I'd enjoy. These arrived yesterday in honor of my birthday.
It isn't obvious in this photo, but the two farthest back are the biggest doggone shooters I have ever seen. They're enormous at a full inch and a quarter in diameter! The foreground swirlies are standard shooter size and the cat's-eye slightly smaller.
When I was little, I kept my marble collection in a fruitcake tin and loved to arrange a line of my favorite "jewels" in the recess at the edge of the lid. I would tilt the lid to set them spinning, absolutely entranced by the ever-changing "light show" created by the colors. The sound drove my mother bananas! She'd put up with it for only so long and then would try to sidetrack me onto another project. It seldom worked for long!
Every now and then, I pour my present stockpile out on the floor and search out favorites. White swirlies rank very high on the list! Thanks, Patty!
It isn't obvious in this photo, but the two farthest back are the biggest doggone shooters I have ever seen. They're enormous at a full inch and a quarter in diameter! The foreground swirlies are standard shooter size and the cat's-eye slightly smaller.
When I was little, I kept my marble collection in a fruitcake tin and loved to arrange a line of my favorite "jewels" in the recess at the edge of the lid. I would tilt the lid to set them spinning, absolutely entranced by the ever-changing "light show" created by the colors. The sound drove my mother bananas! She'd put up with it for only so long and then would try to sidetrack me onto another project. It seldom worked for long!
Every now and then, I pour my present stockpile out on the floor and search out favorites. White swirlies rank very high on the list! Thanks, Patty!
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